Oil On Canvas, Real Flavor of Old Masters

All EECKHOUT, Gerbrand van den 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
6553  
Portrait of a Family fg, EECKHOUT, Gerbrand van den
  		 Portrait of a Family fg   1667 Oil on canvas, 85 x 100 cm Museum of Fine Arts, Budapest
6554  
Presentation in the Temple fh, EECKHOUT, Gerbrand van den
  		 Presentation in the Temple fh   1671 Oil on wood, 59 x 48,5 cm Museum of Fine Arts, Budapest
6552  
Prophet Eliseus and the Woman of Sunem (detail) dg, EECKHOUT, Gerbrand van den
  		 Prophet Eliseus and the Woman of Sunem (detail) dg   1664 Oil on canvas Museum of Fine Arts, Budapest
6551  
Prophet Eliseus and the Woman of Sunem f, EECKHOUT, Gerbrand van den
  		 Prophet Eliseus and the Woman of Sunem f   1664 Oil on canvas, 110 x 155 cm Museum of Fine Arts, Budapest
6555  
Scholar with his Books fgh, EECKHOUT, Gerbrand van den
  		 Scholar with his Books fgh   1671 Oil on canvas, 64,5 x 49 cm Museum of Fine Arts, Budapest
6556  
Vertumnus and Pomona dfg, EECKHOUT, Gerbrand van den
  		 Vertumnus and Pomona dfg   1669 Oil on canvas, 127,5 x 103,5 cm Museum of Fine Arts, Budapest
EECKHOUT, Gerbrand van den
Dutch Baroque Era Painter, 1621-1674 Dutch painter, draughtsman and etcher. He was the son of the goldsmith Jan Pietersz. van den Eeckhout and 'a great friend' as well as a pupil of Rembrandt, according to Houbraken, who commented that van den Eeckhout painted in the style of his master throughout his career. This is certainly true of van den Eeckhout's (biblical) history paintings, but less so of either his portraits, which gradually displayed more Flemish elegance, or his genre pieces (from 1650), in which he followed various trends; he adapted his style to suit his subject with sensitive versatility. He was also a gifted colourist and an artist of great imagination, superior in both these respects to such better-known Rembrandt pupils as Ferdinand Bol and Nicolaes Maes. Moreover, he was extremely productive, and there is at least one dated painting for virtually every year between 1641 and 1674. In addition, he created a large body of drawings comprising histories, figures, landscapes and genre scenes executed in various media, including watercolour.



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